ANOTHER COUNTRY, A Quilt Cycle, 2016-
       
     
INVADERS #8, 2026
       
     
Claude, 2026
       
     
Pinky, 2026
       
     
Frank, 2026
       
     
Oliver, 2026
       
     
Laverne, 2026
       
     
IMG_8592 2.JPG
       
     
IMG_8604.JPG
       
     
BOY LOOKING AT SNAKE IN THE GARDEN.jpg
       
     
Kool Aid (Study #1), 2018
       
     
Bay Beauty Supply, Staten Island, NY
       
     
Quilt Patterns
       
     
IMG_8607 2.JPG
       
     
Sanford, FL matchbook
       
     
As the Crow Flies, 2017
       
     
CAKEwalk, 2021
       
     
Doublecross, 2019
       
     
 Kendall Bessent for The New York Times
       
     
Snake in the Garden, 2017
       
     
Nu, Shoo, Fly, 2018
       
     
Amplify, 2018
       
     
Go High, 2017
       
     
Framer's Frame (Study #2, #3, #4, #5), 2018
       
     
Framer's Frame (Study #1), 2018
       
     
Jail Bars (Study #2), 2018
       
     
Robes B/W, 2018
       
     
Don't Cross The Line, 2022
       
     
BARcode, 2024
       
     
CAKEwalk #2, 2022
       
     
 Kendrick Brinson for The New York Times
       
     
As The Crow Flies (Study #2), 2021
       
     
 Kenyon Literary Review, Winter 2024
       
     
Untitled (Log Cabin Study), 2016
       
     
Battleflag, 2020
       
     
AS+THE+CROW+FLIES_DRAPED.webp
       
     
AMPLIFY_INSTALLATION+IMAGE.webp
       
     
HEIRLOOMS INSTALLATION.jpg
       
     
ANOTHER COUNTRY, A Quilt Cycle, 2016-
       
     
ANOTHER COUNTRY, A Quilt Cycle, 2016-

Another Country is a series-in-process of quilts made out of matchbooks whose patterns are inspired by those used in the alleged Underground Railroad quilts. Each quilt is composed of hand-sewn matchbooks, often numbering in the thousands, and contain visual symbolism relating to different components of structural and institutional racism.

Begun in 2016, the project is a response to the ongoing killing of black and brown people by law enforcement and civilians with almost unanimous impunity. The matchbooks used in the quilt are created specifically for the project and bear logos referencing the locations where these tragedies occurred and unique alphanumeric codes comprised of the victims’ initials and the dates of their deaths.

Part protest, part memorial, we began the project as a way to remember the victims and keep them present. The quilts are the physical and visual manifestations of our creative process and a space of sharing. The patterns generated are the result of our desire to create and share a symbol anguage borne of a cross-culture collaboration. The body of work represents the hours of conversation we’ve had, as a Black man and White man, while working together sewing and assembling the quilts, sharing our contrasting lived experience and grappling with the real life and death consequences of racial inequality and the biased treatment of black communities by law enforcement on us individually and as a married couple. Also, and perhaps more urgently, we wanted to foreground the cultural and legal frameworks that contextualize these events and present a different way of interpreting and engaging with these difficult issues. Ten years into the process the project has evolved to exist essentially as a visual archive; artifact cyphers that hold space for reflection, prompt meaningful conversations across communities, act as instruments of placemaking and shift public perception of what a monument can be.

To learn more about the matchbooks, the victims they commemorate, or the quilt patterns and meanings, please click here .

INVADERS #8, 2026
       
     
INVADERS #8, 2026

custom souvenir matchbooks, recycled felt, cotton thread, 59.5 × 59 in

Claude, 2026
       
     
Claude, 2026

paper matchbooks, recycled felt, cotton thread, 26 × 24.5 in

Pinky, 2026
       
     
Pinky, 2026

paper matchbooks, recycled felt, cotton thread, 22.75 × 24.5 in

Frank, 2026
       
     
Frank, 2026

paper matchbooks, recycled felt, cotton thread, 23 × 22.5 in

Oliver, 2026
       
     
Oliver, 2026

paper matchbooks, recycled felt, cotton thread, 24.25 × 22.75 in

Laverne, 2026
       
     
Laverne, 2026

paper matchbooks, recycled felt, cotton thread, 25.75 × 23 in

IMG_8592 2.JPG
       
     
IMG_8604.JPG
       
     
BOY LOOKING AT SNAKE IN THE GARDEN.jpg
       
     
Kool Aid (Study #1), 2018
       
     
Kool Aid (Study #1), 2018

detail

Bay Beauty Supply, Staten Island, NY
       
     
Bay Beauty Supply, Staten Island, NY

Eric Garner, 43 (d. 07/17/2014)

Quilt Patterns
       
     
Quilt Patterns

To find out more about the patterns and their meanings click here

IMG_8607 2.JPG
       
     
Sanford, FL matchbook
       
     
Sanford, FL matchbook

Trayvon Martin, 17 (d. 02/26/2012)

As the Crow Flies, 2017
       
     
As the Crow Flies, 2017

paper matchbooks, cotton thread, wool felt, 92in x 100in

CAKEwalk, 2021
       
     
CAKEwalk, 2021

paper matchbooks, cotton thread, wool felt, 92in x 100in

Permanent Collection of The International Quilt Museum, University of Nebraska, Lincoln, NE

Doublecross, 2019
       
     
Doublecross, 2019

paper matchbooks, cotton thread, wool felt, 92in x 100in

 Kendall Bessent for The New York Times
       
     

Kendall Bessent for The New York Times

Snake in the Garden, 2017
       
     
Snake in the Garden, 2017

paper matchbooks, cotton thread, wool felt, 92in x 100in

Nu, Shoo, Fly, 2018
       
     
Nu, Shoo, Fly, 2018

paper matchbooks, cotton thread, wool felt, 92in x 100in

Amplify, 2018
       
     
Amplify, 2018

paper matchbooks, cotton thread, wool felt, 92in x 100in

Go High, 2017
       
     
Go High, 2017

paper matchbooks, cotton thread, wool felt, 92in x 100in

Framer's Frame (Study #2, #3, #4, #5), 2018
       
     
Framer's Frame (Study #2, #3, #4, #5), 2018

paper matchbooks, cotton thread, wool felt, 20 5/8in x 20 5/8in (ea. framed)

Framer's Frame (Study #1), 2018
       
     
Framer's Frame (Study #1), 2018

paper matchbooks, cotton thread, wool felt, 20 5/8in x 20 5/8in (framed)

Private Collection

Jail Bars (Study #2), 2018
       
     
Jail Bars (Study #2), 2018

paper matchbooks, cotton thread, wool felt, 20 5/8in x 20 5/8 (framed)

Robes B/W, 2018
       
     
Robes B/W, 2018

paper matchbooks, cotton thread, wool felt, 49 1/2” x 53 1/2”

Don't Cross The Line, 2022
       
     
Don't Cross The Line, 2022

custom souvenir matchbooks, recycled felt, cotton thread, 44 × 44 in

BARcode, 2024
       
     
BARcode, 2024

paper matchbooks, cotton thread, wool felt, 92in x 100in

CAKEwalk #2, 2022
       
     
CAKEwalk #2, 2022

custom matchbooks, recycled felt, cotton thread, 92 × 100 in

 Kendrick Brinson for The New York Times
       
     

Kendrick Brinson for The New York Times

As The Crow Flies (Study #2), 2021
       
     
As The Crow Flies (Study #2), 2021

custom souvenir matchbooks, recycled felt, cotton thread

 Kenyon Literary Review, Winter 2024
       
     

Kenyon Literary Review, Winter 2024

Untitled (Log Cabin Study), 2016
       
     
Untitled (Log Cabin Study), 2016

custom souvenir matchbooks, recycled felt, cotton thread, 20.5 × 20.5 in

Battleflag, 2020
       
     
Battleflag, 2020

custom souvenir matchbooks, recycled felt, cotton thread, brass grommets

Unique edition of 16

AS+THE+CROW+FLIES_DRAPED.webp
       
     
AMPLIFY_INSTALLATION+IMAGE.webp
       
     
HEIRLOOMS INSTALLATION.jpg